Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hammes, Andrea | Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. Magisterarbeit, Leipzig Univ., 2010. 112p. |
diss. |
| | 2010 |
112p |
|
| 2. | Plutalov, Denis V. | Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. DMA diss., University of Nebraska, Lincoln. 2010. 121p; University Microfilms International (MI) Ann Arbor, MI. UMI Number: AAT 3398399; ISBN: 978-1-109-71469-2. |
diss. |
| | 2010 |
121p |
|
| 3. | Alípio, Alisson | O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010. |
diss. |
| | 2010 |
123p |
|
| 4. | Sullivan, Daniel | J.S. Bach and permutational design. DMA diss., Juilliard School, 2010. 126p. |
diss. |
| | 2010 |
126p |
|
| 5. | Miller, Ann Elizabeth | Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. DMA diss., Juilliard School, 2010. 206p. |
diss. |
| | 2010 |
206p |
|
| 6. | Shkolnik, Guy | The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. PhD diss., Tel Aviv University. August 2010. 208p. [Hebrew text with English summary] |
diss. |
| | 2010 |
208p |
|
| 7. | Gordeeva, Elena Vladimirovna | Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. [Musical lexicography of semantic structures in the keyboard works of J.S. Bach] - Kand, Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni S.V. Rahmaninova, Rostov, 2010. 263p. |
diss. |
| | 2010 |
263p |
|
| 8. | Boršulâk, Al'ona Miroslavìvna | Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p. |
diss. |
| | 2010 |
267p |
|
| 9. | Sarlo, Dario | Investigating Performer Uniqueness: The Case of Jascha Heifetz. PhD diss., Goldsmiths, University of London, 2010. 430p. |
diss. |
| | 2010 |
430p |
|
| 10. | Friedrich, Siegfried | Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. PhD diss., Musicology. Universität für Musik und Darstellende Kunst, Wien, 2010. 610p. |
diss. |
| | 2010 |
610p |
|
| 11. | Lachat-Sarrete, Priscille | L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. PhD diss., Université Paris 4 Sorbonne, 2010. 652p. |
diss. |
| | 2010 |
652p |
|
| 12. | Engelsdorfer, Amy Lynne | Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. PhD diss., Dept. of Music Theory, Indiana University, August 2010. 680p. |
diss. |
| | 2010 |
680p |
|
| 13. | Waszynski, Barbara | Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. Diplomarbeit, Hochschule für Technik, Wirkschaft und Kultur Leipzig, Faklutät Medien, Studiengang Bibliotheks- und Informationswissenschaft. Leipzig, 2010. 90p |
diss. |
| | 2010 |
90p |
|
| 14. | Psujek, Jennifer Lauren | The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. MA diss., Bowling Green State University, 2010. v, 73p |
diss. |
| | 2010 |
v, 73p |
|
| 15. | Watson, Marva J. | The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach. MMus diss., Southern Illinois University Carbondale, May 2010. viii, 107p. http://www.bach-cantatas.com/Articles/Historical-Figures-Watson.pdf |
diss. |
| | May 2010 |
viii, 107p |
|
| 16. | Exner, Ellen | The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. PhD diss., Harvard University, 2010. xiv, 327p. 654p. |
diss. |
| | 2010 |
xiv, 327p |
|
| 17. | Callahan, Michael Richard | Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. PhD diss., Eastman School of Music, University of Rochester, 2010. xvi, 293p. |
diss. |
| | 2010 |
xvi, 293p |
|
| 18. | Knyt, Erinn Elizabeth | Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. PhD diss., Stanford University, 2010. xvii, 624p |
diss. |
| | 2010 |
xvii, 624p |
|